Baby driver soundtrack trailer
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Baby driver soundtrack trailer tv#
It probably won't be anyone's favourite Edgar Wright flick, but when you come across it on TV just you try turning it off. It's familiar in a good way, like getting into your car and knowing exactly where the clutch bites or where you have to whack the dash to get the radio to work. "Baby Driver" is a lot of tyre-squealing fun. Perhaps this is the start of a new cinematic movement: the world's most stylish auteurs each bring their aesthetic flourishes (and killer tunes) to remake the same car chase movie. And "Drive" was itself (via a novel by James Sallis) essentially a remake of Walter Hill's 1978 car chase classic " The Driver" (a debt "Baby Driver" acknowledges by throwing in a vocal cameo for the veteran director).
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Baby driver soundtrack trailer movie#
To be clear, I have zero problem with this - "Drive" is another movie I will always stop to watch when I encounter it on TV. In fact, if you think you've seen this movie, about a semi-nameless getaway driver falling in love in a cool jacket, it's because you have - six years back, when it was called " Drive". Edgar Wright on a Star Wars project: 'Something crazy,' just wait.
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8 things we learned from the director and star of 'Baby Driver'.'Baby Driver' star, director talk about the perfect heist car.Still, the similarity between trailers and finished product means once you've seen the promos the actual movie offers few surprises. It's the latest tic in trailers from " Mad Max: Fury Road" to " Suicide Squad" to " Kong: Skull Island" and is already on its way to being overdone, but it's super-fun when used as skilfully as in "Baby Driver". And I don't just mean the trailers did a good job of evoking the feel of the film - I mean the film literally uses the same gimmick as the promos, syncopating stuttering gunfire and roaring engines with the rhythm of each tune. And the incorporation of his favourite tunes, from the Jon Spencer Blues Explosion to Queen, is woven even more tightly into the narrative than ever before.Īll of these things will be familiar from the movie's promotional trailers. His trademark precision editing is as delightful as always. His roving camera is as thrillingly mobile as ever, racing, drifting and cornering with the cars. But there are several reasons Wright's latest feels familiar.įirst off, Wright's kinetic, comedic style is so distinctive, watching it feels like a needle slipping into a well-worn groove. When I say I felt like I'd seen it before, I don't necessarily mean that in a bad way. The sheer automotive exhilaration of the first half is what will hook you in to this instant fave when you stumble across it on TV for years to come.Īside from the rip-roaring chases, the rest of the film feels as familiar as a comfy pair of driving gloves or a favourite song. So the car-crazy action is soundtracked by an endless mixtape of pop classics slamming the pedal to the metal on a succession of deliriously thrilling chases. The titular getaway specialist Baby, played by Ansel Elgort bopping around town with omnipresent iPod headphones stuffed in his ears, is obsessed with music. Written and directed by Wright, "Baby Driver" is a wildly imaginative blast of a crime caper.
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And for some reason, Wright's latest, " Baby Driver," already feels like an old favourite. You know when you're flipping through the channels and you come across a movie you've seen a thousand times - but you always have to stop and watch it again? For many fans, Edgar Wright's " Shaun of the Dead" and " Hot Fuzz" fall into that category. And, like “Drive” before it, that music seems to be an integral part of the experience in Edgar Wright’s upcoming film, which premiered at SXSW to strong reviews.Mirror shades: Ansel Elgort is Baby in Edgar Wright's car chase caper "Baby Driver". In “ Baby Driver,” Ansel Elgort plays a getaway driver who constantly has music playing in order to drown out his tinnitus.